We all increasingly trust on non - verbal form of communicating — email , IM , texting — to let masses get laid what ’s going on in our sprightliness . That ’s great for us , but it ’s causing headaches in Hollywood when it comes to create drama .
The problem is that TV and film have to remain topical to keep our attending , but it ’s difficult to make a text message — a few paltry letters on a trivial electronic screen — particularly gripping . The Wall Street Journal has awonderful article which have a lookat the proficiency used by movie maker to assure innovative communication is as gripping as classic dialogue :
In the past year , pic aimed at teenaged audience have been experimenting with how to integrate lineament ’ constant texting into storyline , with varying degree of success . In “ LOL , ” a 2012 box - office floating-point operation , the chief character , played by pop hotshot Miley Cyrus , post Facebook update ( “ Status : Boyfriend ” ) that were exhibit on the screenland in a big , cartoonish fount as she typed .
The texting seen in “ Disconnect ” and other coming motion-picture show adheres loosely to a normal credit to the BBC ’s “ Sherlock , ” featuring a wired Sherlock Holmes in innovative - Clarence Shepard Day Jr. London , and more recently , Netflix ’s hit series “ House of Cards ” … “ Sherlock ” … draw texts on cover as white subtitle in a Helvetica font .
There is , however , more to making text subject matter scam than show off them up on screen in Helvetica — but you shouldgo study the full featureto find out more about it . [ Wall Street JournalviaVerge ]
Image byJhaymesisviphotographyunder Creative Commons licence
CellphoneDramaSmartphonetext message
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